The indolent son of an oil vendor becomes a regular customer of a prostitute, racks up a mountain of debt, and is disowned by his parents.
Follows five sex workers employed at a Japanese brothel while the nation debates the passage of an anti-prostitution law.
Prostitutes in burnt out Tokyo ghetto of post-WWII Japan peddle their flesh and save one-third of their money for a proposed dancehall to be named Paradise. The hookers live in a bombed-out building, but they accept the precarious situation with typical resolve.
Kiyoha rises from the lowly courtesan ranks to the high class position of Oiran in the steamy red-light district of Yoshiwara. She is determined to stand on her own two feet and live life as she pleased.
Tokiko patiently awaits her husband's return from WWII when her four-year old son falls ill. She takes him to the doctor but has no means of paying, so she resorts to prostitution. A month later, her husband returns to find his desperate wife, who tells him the truth. Together, they must deal with the consequences.
The neglected common-law wife of a Japanese librarian is repeatedly harassed by a young man with a heart condition who seduces her with the prospect of a better life.
During the Edo Period, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.
A submissive hooker goes about her trade, suffering abuse at the hands of Japanese salarymen and Yakuza types. She's unhappy about her work, and is apparently trying to find some sort of appeasement for the fact that her lover has married.
In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.
A woman, Tome, is born to a lower class family in Japan in 1918. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying to change her poor life.
The story follows a trio of Japanese youths of Chinese descent who escape their semi-rural upbringing and relocate to Shinjuku, Tokyo, where they befriend a troubled Shanghai prostitute and fall foul of a local crime syndicate. Like many of Miike's works, the film examines the underbelly of respectable Japanese society and the problems of assimilation faced by non-ethnically Japanese people in Japan.
After living a traumatic experience in Tokyo, Yukiko returns to Kyoto, where Hatsuko, her mother, runs a brothel, which upsets Yukiko very much.
In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.
Ayako becomes the mistress of her boss in order to pay her father's debt and prevent him from going to prison for embezzlement.
Ryo Morinaka is a university student and works part-time at a bar. He is bored with his daily life and exists in a state of torpor. One day, his friend Shinya Tajima brings the owner of a host bar over to the place where Ryo Morinaka works. Shizuka Mido is the owner of the host bar. Soon, Ryo Morinaka begins to work for Shizuka Mido at the members only host bar. He feels embarrassment initially, but he fulfills the desires of women and develops a sense of purpose.
An old man and a young woman meet in Tokyo. She knows nothing about him, he thinks he knows her. He welcomes her into his home, she offers him her body. But the web that is woven between them in the space of twenty four hours bears no relation to the circumstances of their encounter.
A former prostitute works to create a new life for herself in a small town, but a shocking discovery could threaten everything.
In 1863, when American warships approach Japan, an enigmatic ronin becomes an important figure in a complex game of power between the Shogunate and the empire.
In 1923, teenager Kim Shun-Pei moves from Cheju Island, in South Korea, to Osaka, in Japan. Along the years, he becomes a cruel, greedy and violent man and builds a factory of kamaboko, processed seafood products, in his poor Korean-Japanese community exploiting his employees.
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